Bach Bibliography Search Result - Ordered Chronologically

Author : Hennion, Antoine
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Hennion, Antoine:   Hercule et Bach: la production de l'original. RevueMcol 84/ 1 (1998), 93-121. [Hercules and Bach: The recreation of the original]
	2.	Hennion, Antoine:   Bach aujourd'hui. CiteMusiques 22 (Feb-Mar 1999), 2-3. [Bach today]
	3.	Fauquet, Joël-Marie; Hennion, Antoine:   La Grandeur de Bach: L'amour de la musique en France au XIXe siècle. Paris: Librairie Arthème Fayard, 2000. 246p. ISBN: 2-213-60667-6. (= Les Chemins de la musique) [contents]
	4.	Hennion, Antoine; Fauquet, Joël-Marie:   Authority as performance: the love of Bach in nineteenth-century France. Poetics 29/2 (2001), 75-88. Errata in Poetics xxix/6 (2001) 351.
	5.	Hennion, Antoine:   Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? [p]IMS_Leuven (Aug 2002) [Listening as performance: how musicians, critics, amateurs and the public produced their Bach in 19th-century France] A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	6.	Hennion, Antoine:   Music and mediation: Towards a new sociology of music. In: The cultural study of music: A critical introduction. London: Routledge, 2003. vii, 368p. ISBN: 0-415-93845-7; pp.80-91.
	7.	Hennion, Antoine:   La présence de Bach. [ce]PenserOeuvM20s (2006), 85-94. [The presence of Bach]
	8.	Hennion, Antoine:   Music and mediation: Toward a new sociology of music. In: Martin Clayton, Trevor Herbert and RichardMiddleton (eds.), The cultural study of music: A critical introduction. New York: Routledge, 2012. xxi, 255p. ISBN 978-0-203-14945-4.